![]() ![]() There is also a hypnotic soundtrack that adds so much to the feel of the film, the music choices being also quite interesting, while Lynch's direction while not the best he's ever done(tied between Blue Velvet and Mulholland Drive) but it is very adept and has his unique style all over. There are many great things with Wild at Heart however because the cinematography is stunning, the scenery is bursting with vivid colour and there are plenty of bold colours and lighting with some of the visuals being wonderfully deranged. ![]() The story does feel very randomly structured at times, especially true with Crispin Glover, and some of the pacing slackens the film could have done with being shorter as some scenes did feel too padded and underdeveloped, and the script can be a confused jumble and not always easy to understand completely(though admittedly there are some quotable lines). But while it has its flaws Wild at Heart still impresses and fascinates in many ways, also don't think that it's his worst like some people I know in the past have said(that'd be Dune). Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work.Wild at Heart is not David Lynch at his best, personally much prefer Blue Velvet, The Elephant Man, Mulholland Drive and The Straight Story and is definitely not going to be everybody's cup of tea. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics. ![]() ![]() It is also David Lynch in his most "lynchian" mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality. David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead'). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |